Never Say Never Again Never Say Never Again
Never Say Never Once more (United States/United Kingdom, 1983)
In 1971, post-obit the release of Diamonds Are Forever, Sean Connery announced that he would "never once more" play the role of James Bond. Equally a result, the producers brought in Roger Moore, and the series connected. 12 years subsequently, in 1983, Connery reneged on his anti-007 vow and once again slipped into the role that had earned him worldwide fame (the reputed $5 million paycheck probably had something to do with his decision). Fans of the real James Bail exulted -- at least until they saw the pic.
Kevin McClory, the producer and co-writer of Thunderball, won a legal boxing to make his own Bail movie. The only stipulation was that information technology had to be based on the characters and situations of the original Thunderball. And so, using Lorenzo Semple Jr. (Three Days of the Condor) as his screenwriter, McClory set nigh updating the story. The effect, which has a hokey, jokey feel, is perchance the worst-written Bail script of all (barring the satirical mess called Casino Royale). Still, McClory did score a major coup by getting Connery on board for the production.
Unfortunately, Never Say Never Over again is a poor excuse for the veteran actor's return. The humor is over-the-top, the direction is pedestrian, and the storyline drags. Were it not for the uncomplicated pleasure of seeing Connery playing 007 i more time, this film would have been nearly unwatchable. All things considered, it's not a very expert moving-picture show, but at least Connery'south charisma salvages parts of information technology.
While the skeleton of Never Say Never Again resembles that of Thunderball -- SPECTRE steals two nuclear missiles and blackmails the earth -- many of the details are dissimilar. In fact, those who haven't seen the 1965 film recently might not even recognize the connection. Certain character names remain the same, but personalities have inverse. The main villain, Largo (Klaus Maria Brandauer), for instance, is far more cultured this fourth dimension around, and his mistress, Domino (Kim Basinger), is astonishingly naive. Even Bond has changed subtly -- given Connery's historic period, he's better at delivering puns than punches.
The hallmarks of every Bond moving-picture show are the big, often-absurd activity sequences. Thunderball has several, including a spectacular (if overlong) underwater climax. Never Say Never Again can boast merely 1 -- a wild car chase with Bail on a Q-designed motorbike -- and that's choreographed without flair. With the exception of a few isolated incidents here and there, similar the silly fight that demolishes a health dispensary, this film fails to generate much excitement. And the absence of the John Barry/Monty Norman "James Bond Theme" leaves a musical hole that Michel Legrand's feeble score cannot plug.
The interim is variable. Brandauer is effective as Largo and Max Von Sydow may be the best Blofeld of all. Barbara Carrera is suitably sexy as the predatory Fatima. Kim Basinger is a atypical embarrassment, not exhibiting the slightest wisp of acting talent. The usual "London group" of G (Edward Play a trick on), Q (Alec McCowen), and Moneypenny (Pamela Salem) seem like impostors. Information technology's especially odd seeing someone other than Desmond Llewelyn tinkering with gadgets.
There was a nifty bargain of hype in 1983 about the "dueling" Bonds -- Roger Moore's Octopussy versus Sean Connery'southward Never Say Never Again. Ultimately, both entries were duds, with Never Say Never Again offering slightly improve entertainment based solely on Connery's presence. Nevertheless, information technology's a major disappointment that, having lured dorsum the original 007, the pic makers couldn't offer him something better than this drawn-out, hackneyed story.
Never Say Never Once more (United States/U.k., 1983)
Manager: Irvin Kershner
Cast: Sean Connery, Pamela Salem, Alec McCowen, Edward Flim-flam, Bernie Casey, Kim Basinger, Barbara Carrera, Max Von Sydow, Klaus Maria Brandauer, Rowan Atkinson
Screenplay: Lorenzo Semple Jr. based on the original story by Kevin McClory, Jack Wittingham, and Ian Fleming
Cinematography: Douglas Slocombe
Music: Michel Legrand
U.Due south. Distributor: Warner Brothers
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